Whatever - why - Whatever – THIS MACHINE MOCKS FASCISTS

As the Guardian noted, numerous fully autonomous systems which could make killing even more convenient than RC vehicles are being worked on now. Those include the UK’s Taranis Drone and the US’ Sea Hunter warship, as well as autonomous versions of Russia’s Uran-9 armored vehicle. None of them have terrifying steel skulls with glowing red eyes like the robots from Terminator , but they all carry a lot more weaponry than one of those things, too.

The subject is treated under these heads: I. Nature of sin II. Division III. Mortal Sin IV. Venial Sin V. Permission and Remedies VI. The Sense of Sin I. NATURE OF ...

Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

He had, in other words, become a joke, and that joke had serious consequences. West, who turned 30 last July, has now been out of the NBA for two seasons. It’s fair to ask why someone with his abilities, a player who has spent the last year proving himself in the basketball hinterlands, finds himself on the outside looking in. West doesn’t know why he can’t get a job in the NBA. He just wants you to remember that when you’re chuckling about LeBron’s mom and a gun-laden motorcycle ride, you’re laughing at a human being—“a person who plays basketball,” not just a basketball player.

Most importantly, these books consistently indulge in the kind of endings that teenagers want to see, but which adult readers ought to reject as far too simple. YA endings are uniformly satisfying , whether that satisfaction comes through weeping or cheering. These endings are emblematic of the fact that the emotional and moral ambiguity of adult fiction—of the real world—is nowhere in evidence in YA fiction. These endings are for readers who prefer things to be wrapped up neatly, our heroes married or dead or happily grasping hands, looking to the future. But wanting endings like this is no more ambitious than only wanting to read books with “ likable ” protagonists.

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